The concept of trauma play was central to my final project during my counseling masters. To some extent, I don’t even know how I arrived on the subject considering I wasn’t aware of this topic until I began to write about it. When it comes up most folx ask me, ‘What is it?’.
For this, I will refer to one of the academic articles I referenced in my capstone by Jeremy Thomas’ entitled BDSM as Trauma Play: An Authoethnographic Investigation. Unfortunately it’s not open source but I have linked the abstract. Thomas opens the article discussing the research around the resilience and strengths of BDSM practitioners, and shares the research that has debunked the myth that kinky folx are any more traumatized than the average demographic.
Thomas goes on to educate us that the origins of trauma play come from play therapy, used with children to process events where language would fall short. Furthermore, he delineates that his definition is specific to personal trauma rather than collective or cultural trauma (that’s a topic for another post). The official definition landing at: “…BDSM activities that adults consensually engage in that are related to past trauma or abuse and fo which the individual is actively aware of this connection.”
What I like about this definition is that it requires not only consent of all the participants involved in this type of play, but consent of the individual with themselves about the choice to take an active role in their healing. Active in that they are an agent of healing, but also active in that they are physically taking action. I am certain that, even for adults, some things cannot be processed by verbal conversation alone and need some creativity and additional approaches. The most common example being purposefully recreating a scene in which the individual was formerly traumatized and experiencing it anew which the proper safeguards to ensure that it does not cause re-traumatization. Here’s a link to my academic blog if you have yet to hear the term ‘aftercare‘ and you’re feeling curious.
Now Thomas has an interesting approach in that, in the article, he revisits his trauma through the experience, and spectacle, of being flogged rather than recreating a unique roleplay scene. The experience of being flogged publicly allows him to safely revisit a former trauma. This demonstrates that there are many ways to go about trauma play. It is PLAY after all. Thomas highlights the ‘somatic reclamation’ he experiences through his play.
The second question I get is, ‘What does a therapist have to do with this type of work?’ Through therapy we can assist with the creation and processing of these experiences to ensure they are as safe as possible. Ethically we do not participate directly in a scene, but we can help flesh out important elements of the creation through discussion and maybe even brief role play if it would be helpful. Additionally, the experience of a scene goes beyond the actual event and there is lots of space to process the work an individual has done to engage in this kind of play.
Trauma play is not for everyone and it’s also not for every kinky person. Kinksters have a variety of reasons and lack of reasons for engaging in their particular pleasures. Like everything, you will know if it’s something that you are drawn to, curious about, want to research further. It is my desire that you have your own journey when healing trauma and that the concept of ‘trauma play’ might open your mind to the possibilities.
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Heal Into Your Desires 